Friday’s James Patterson’s Master – Gerardine Baugh https://mywalkingpath.com My Walking Path Sat, 25 Jun 2016 04:02:30 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.2 https://i0.wp.com/mywalkingpath.com/wp-content/uploads/2016/07/cropped-DSC_0528.jpg?fit=32%2C32&ssl=1 Friday’s James Patterson’s Master – Gerardine Baugh https://mywalkingpath.com 32 32 79402611 Seventh video lesson James Patterson’s MasterClass Outlines part 2 https://mywalkingpath.com/2016/06/24/seventh-video-lesson-james-pattersons-masterclass-outlines-part-2/ https://mywalkingpath.com/2016/06/24/seventh-video-lesson-james-pattersons-masterclass-outlines-part-2/#respond Fri, 24 Jun 2016 03:52:44 +0000 http://mywalkingpath.com/?p=3063 James Patterson lesson 7

James Patterson MasterClass lesson 7
James Patterson MasterClass lesson 7

OUTLINES PART 2

“Only his editor has seen this outline,” we are told by James Patterson. “He hasn’t shared this before.”

I am not posting that outline nor the lessons. What I will do is give you my impression of those first three chapters in his book Honeymoon. And their ‘first and last’ sentences.

James Patterson’s chapters are short. His first chapter is only about 700 words. Now that is a guesstimate, 250 per page- guesstimate.

Before chapter one, the page is labeled:

Part One  PERFECT COUPLES

This part goes on and on according to my book.  In the ‘Honeymoon’ outline, Part Two starts with Chapter nineteen.

I posted 💡 in the comment section asking…

In the outline, I saw the book was cut into, not only chapters but, into Part-one, Part-Two, and Part Three. In the (actual) book, Honeymoon, or at least my copy. I only see Part One labeled. If the Parts were only for the outline, why start with Part One? Is this the storytelling arc- with a three-act structure?    

I await my answer. 😎 In the meantime read on.

Chapter one starts with:

“Nora could feel Connor watching her. “

Is this a stalker? We find out in the next sentence, -Connor always watches her pack. We are still getting to know this couple.

 It ends with a sentence that needs no explanation. 

“Now, what was that about tying somebody up?” she asked.

I can see how this chapter connects and then fills in with this couple joking, playing with each other. We see love; we are in love with them. These two, together, feel good. All happy, shiny lovey-dovey, and rich, what could go wrong?  This is the beginning, something has to happen or what’s the point of reading.

Chapter two has nearly 1,000 words in this chapter, which starts with:

“Thirty-minutes later, donning a plush pink terry-cloth robe, Nora descended the sprawling staircase of Connor’s 11,00-square-foot, three-story neoclassic Colonial.”

Nice description.

And here is the last sentence in this second chapter:

“She quickly dressed, and moments later, as the limousine started to drive away, Nora called to Connor out the open back window. “I’m the luckiest girl in the world!”

 All I think here is, Duh!

 Each chapter has its own beginning and end. Each one tells us about Nora and Connor. Each one is drawing us a little further into the story with very few words we connect to the main character.

 Chapter three: Is less than five hundred words. Remember my guesstimate, at 250-per page.

First sentence: “Nora couldn’t stop staring at the dazzling ring for most of the ride to the Westchester airport. “

And then the last two sentences:“Before reaching for the door, she glanced at her watch. It was showtime.”

That word, ‘showtime’ changed the tone of the story. We can hear, see and feel the change.

“The first couple of chapters really set up the third chapter.” James Patterson.

This class you can post comments, videos, and download the workbook. Listening to James Patterson is worth the price of admission.

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